Bryony Lavery has an extensive career as a playwright for stage and radio. She trained as a teacher and worked in arts administration before forming the company Les Oeufs Malades with Jessica Higgs and Gerard Bell who performed her first plays like Sharing and Bag. She went on to set up the feminist cabaret group Female Trouble and has written (and performed in) several of the Drill Hall women’s pantos, as well as plays for Monstrous Regiment, Sphinx / Women’s Theatre Group, Theatre Centre, and many others. Among her many plays are: Origins Of the Species, Witchcraze, Calamity, Her Aching Heart, Goliath, Frozen, A Wedding Story, Last Easter and most recently Stockholm.
Extracts from the interview:
Working with Monstrous Regiment
‘I was then getting work with companies, particularly Monstrous Regiment, but also the Women’s Theatre Group I did a couple of shows for, and just being very aware that there was this explosion of furious women who suddenly realised they had the minor parts in men’s work and started making work that had big parts for women. It was very eye-opening because they [Monstrous Regiment] were the most vibrant set of women. They were quite scary at first, I found them quite daunting, and then of course discovered that they were enormously kind and generous and lovely. They were the ones who introduced me to the notion of feminism and how that worked and its contradictions and its pleasures and pains.’
Female Trouble at the Arts
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Starting out
Detailed Topics List of those covered in the interview
See Viewing Interviews for details of where to view the whole interview
Bibliography
Numerous plays include:
I Was Too Young At The Time To Understand Why My Mother Was Crying; Sharing; Grandmonther's Footsteps; The Catering Service; Helen and Her Friends; Bag; Family Album (All unpublished, Les Oeufs Malades, 1979)
Kitchen Matters (Unpublished, Gay Sweatshop, 1990)
Origins Of the Species (1984) in, Plays by Women vol.6 ed. Mary Remnant, (Methuen, 1986)
Witchcraze (1985) in Herstory vols 1 & 2 ed. Gabriele Griffin & Elaine Aston (Sheffield Academic Press, 1991)
Ophelia (1996) extracts in Mythic Women/ Real Women ed. Lizbeth Goodman (Faber, 2000;
Numerical Man and Uniform and Uniformed in Masks and Faces (MacMillan Education, 1984)
Calamity (Unpublished, Monstrous Regiment, 1984)
Her Aching Heart (1991); Two Marias (1990); Wicked (1989) (All Methuen, 1991)
Goliath (from Beatrix Campbell's novel (1997)
Nothing Compares To You (1995) in Plays One, (Methuen, 1998)
Frozen (NT, 1998)
More Light (1997) in New Connections (Faber 1997)
Behind the Scenes at the Museum (from Kate Atkinson’s novel, (Faber 2000,)
A Wedding Story (Faber, 2000).
Writings on include:
Putting Your Daughters on the Stage: Lesbian Theatre from the 1970s to the 1990s by Sandra Freeman, (Cassell, 1997)
Interview in Rage and Reason: Women Playwrights on Playwriting eds.Heidi Stephenson, and Natasha Langridge (Methuen, 1997)
Essay by Janelle Reinelt in Acting Out: Feminist Performances eds. Lynda Hart, and Peggy Phelan (University of Michigan Press, 1993)
Essay by Bryony Lavery in Women and Theatre: Calling the Shots by Susan,Todd, (Faber, 1984)
Links:
Bryony Lavery can be contacted through her agent St John Donald at www.unitedagents.co.uk
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