The new season of playreadings as it stood at Nov 2021 (subject to change) is as follows (For updates email email@example.com, sign up to the UH newsletter or watch this space). Unless otherwise specified playreadings take place at 7.30 p.m GMT/BST on Thursday evenings on Zoom.
Unfinished Histories has been running a playreading group on zoom since April 2020, focusing on scripts from the alternative theatre movement of the 1970s and 80s and New Women scripts from the late 19th / early 20th century. (To purchase copies of Thousands of Noras: Short Plays by Women 1875-1920 ed. Sherry Engle and Susan Croft, source of many of the New Women plays, at a special reduced price please email)
Playreadings are unrehearsed but those who would like to read will be emailed scripts in advance so they can, if they wish, familiarise themselves with the play in advance – or just discover it as they read. Please email firstname.lastname@example.org for further details.
(alternative theatre plays in bold, New Women and other plays in italics)
Season so far
Thurs 28th Oct The Subjection of Kezia (UK 1915) by Edith Ellis and The Rib Person by Rita Wellman (US 1918)
Thurs 25th Nov Her Inside event including Maryland by Lucy Kirkwood. A public zoom event featuring material from Her Inside: Women in the Lockdown was planned. A small group reading of Maryland took place. The larger Her Inside: Stepping Outside event has been held over till 17th March.
Thurs 9th Dec The Amiable Courtship of Miz Venus and Wild Bill (1974) by Pam Gems, originally produced by Britain’s first Women’s Theatre Festival at Inter-Action‘s Almost Free Theatre in 1974
Thurs 6th Jan Rutherford and Son (1912) by Githa Sowerby
20th Jan Twice Over (1988) by Jackie Kay, originally produced by Gay Sweatshop
Thurs 3rd Mar Wild Justice (1896) by Margaret L. Woods
Thurs 17th Mar Her Inside: Stepping Outside event. Event recording coming soon. This was a live public event on zoom. Further details her of Her Inside the blog. (Viewers are encouraged to donate to Her Inside support future events and workshops)
Thurs 14th April Forest Song (1911) by Lesya Ukrainka, the classic Ukrainian feminist writer in a new translation by Virlana Tkacz & Wanda Phipps of Yara Arts Group
Thurs 19th May: Three Women (1911) by Charlotte Perkins Gilman and Edge O’ Dark by Gwen John (1909) – and if time allows Feed the Brute by George Paston, 1908).
Thurs 9th June: two Age Exchange Plays What Did You Do in the War, Mum? by Joyce Holliday (1985)and On the River (devised, 1988)
Thurs 30th June Precious Moments from the Family Album To Provide You with Comfort in the Long Years to Come (1967) by Naftali Yavin. Yavin went on to become the founder of TOC, The Other Company, an experimental, physical theatre company that was a key part of the early Inter-Action.
Thurs 28th July: Suffrage plays – The Pot and the Kettle by Cicely Hamilton and Christopher St John; One of the Old Guard by Constance Campbell (1914) and Lady Geraldine’s Speech by Beatrice Harraden
The Autumn 2022 season started on Thurs 13th October with The Nine Days and Saltley Gates by John Hoyland and Jonathen Chadwick (Foco Novo, 1976)
Thurs 10th Nov: The Image (c1910)by Lady Augusta Gregory, a tragi-comedy focusing on gossip, community judgement and the mythologising tendency in Irish culture.
Thurs 8th Dec: Bohemian Rhapsody by Sue Frumin, originally staged in 1980 at Oval House, directed by Kate Crutchley it was a precursor to her setting up lesbian company Character Ladies and becoming Oval’s influential Theatre Programmer. It was described as a mixture of pantomine, farce, operetta and medieval mystery play.
12th Jan: The Waiter Speaks (1913) by Miles Franklin and The Apple by Inez Bensusan (1909)
16th Feb: Plays for LGBTQ+ History Month – details tbc
16th March: The Execution by Melissa Murray (Monstrous Regiment, 1982)
Under consideration thereafter are alternative theatre plays such as Men (1976) by Noel Greig & Don Milligan, The Death of Christopher Marlowe by Noel Greig, and David Holman plays.
If you would like further information or to attend as an audience member or a reader please email for details and the zoom links. Watch this space or the Unfinished Histories newsletter for further details of how to sign up.
Additionally Unfinished Histories in collaboration with Bijou Stories / Avant Gardening presented an unrehearsed reading of Noel Greig‘s Angels Descend on Paris on 29th September 2022 as part of their We Are Lewisham events. Originally staged in 1980 at The Albany Empire in Deptford the play, with music by Paul Sand was directed by Nancy Diuguid and designed by Paul Dart and the cast included Kate Crutchley, Philip Timmins and Elaine Louden. Set in Berlin 1934 and later occupied Paris, the play explores both the impact of external events under the rise of the Nazis on six closely-connected individuals, both how they are victimised but also how their own self-deceptions, greed and equivocation mirror external evils. Time Out called it ‘ a play of great theatrical and emotional daring, which is well worth seeing’.
In November Unfinished Histories will present Gay Sweatshop playreadings
as part of the events programme for the PICTURE THIS: ILLUSTRATING THE NEWS: THE CARTOONS & ILLUSTATIONS OF GAY NEWS & CAPITAL GAY exhibition at Newington Green Meeting House which opened 23rd September.
Fri 11th Nov The Dear Love of Comrades by Noel Greig.
A staged reading of the play originally staged by Gay Sweatshop in 1979 the acclaimed play focuses on 19th-century Utopian socialist Edward Carpenter, his relationships with the men who shared his life, the early beginnings of the Labour party and its separation from sexual politics.
Fri 18th Nov Any Woman Can by Jill Posener (1975) and Twice Over by Jackie Kay (1988)
Staged readings of the first play by a woman and the first play by a black writer to be staged by Gay Sweatshop. Any Woman Can, which had its first run at the King’s Head, explores a young woman’s self-discovery as a lesbian growing up and how lesbians were seen in the bad old days. In Twice Over a young woman Evaki discovers the reality of the relationship between her grandmother Cora’s best friend after Cora’s death.
Further details of these and other events to accompany the exhibition and details of how to book in the next newsletter.
If you are an experienced performer and would be interested in taking part, please get in touch.